
FORE:It was natural that the best methods of interpreting so useful a source of information should be greatly sought after, and that they should be systematised in treatises expressly devoted to the subject. One such work, the Oneirocritica of Artemid?rus, is still extant. It was composed towards the end of the second century, as its author tells us, at the direct and repeated command of Apollo. According to Artemid?rus, the general belief in prophecy and in the existence of providence must stand or fall with the belief in prophetic dreams. He looked on the compilation of his work as the fulfilment of a religious mission, and his whole life was devoted to collecting the materials for it. His good faith is, we are told, beyond question, his industry is enormous, and he even exercises considerable discrimination in selecting and elucidating the phenomena which are represented to us as229 manifestations of a supernatural interest in human affairs. Thus his beliefs may be taken as a fair gauge of the extent to which educated opinion had at that time become infected with vulgar superstition.351

FORE:A planing machine platen, for instance, moves at a uniform rate of speed each way, and by its own motion shifts or reverses the driving power at each extreme of the stroke. Presuming that there were no examples to be examined, an apprentice would find many easier problems to explain than how a planing machine can shift its own belts. If a platen or table disengages the power that is moving it, the platen stops; if the momentum carries it enough farther to engage or connect other mechanism to drive the platen in the opposite direction, the moment such mechanism comes into gear the platen must stop, and no movement can take place to completely engage clutches or shift belts. This is a curious problem that will be referred to again.

FORE:If we enlarge our point of view so as to cover the moral influence of knowledge on society taken collectively, its relative importance will be vastly increased. When Auguste Comte assigns the supreme direction of progress to advancing science, and when Buckle, following Fichte, makes the totality of human action depend on the totality of human knowledge, they are virtually attributing to intellectual education an even more decisive part than it played in the Socratic ethics. Even those who reject the theory, when pushed to such an extreme, will admit that the same quantity of self-devotion must produce a far greater effect when it is guided by deeper insight into the conditions of existence.

FORE:The Alexandrian Sceptics general arguments against the possibility of knowledge resolve themselves into a criticism of what Sir W. Hamilton called Natural Realism, somewhat complicated and confused by a simultaneous attack on the theory of natural morality conceived as something eternal and immutable. They are summed up in the famous ten Tropes. Of these the first three are founded on the conflicting sensations produced by the same object when acting on different animalsas is inferred from the marked contrast presented by their several varieties of origin and structure,on different men, and on the different senses of the same individual. The fourth, which has evidently an ethical bearing, enlarges on the changes in mens views caused by mental and bodily changes, according to their health, age, disposition, and so forth. The next five Tropes relate to circumstances connected with the objects themselves: their distance and position as regards the spectator, the disturbance produced in their proper action by external influences such as air and light, together with the various membranes and humours composing the organs of sense through which they are apprehended; their quantitative variation, involving as it does opposite effects on the senses, or as with medicines, on the health; the law of relativity, according to which many things are only known when taken in company with others, such as double and half, right and left, whole and part; comparative frequency or rarity of occurrence, as with comets, which, while really of much less importance than the sun, excite much more interest from their being so seldom seen. Finally, the tenth Trope is purely ethical, and infers the non-existence of a fixed moral standard from the divergent and even opposite customs prevailing among different nations.297As a result of the foregoing criticism, Aristotle distinguishes four different causes or principles by which all things are determined to be what they areMatter, Form, Agent, and Purpose.226 If, for example, we take a saw, the matter is steel; the form, a toothed blade; the agent or cause of its assuming that shape, a smith; the purpose, to divide wood or stone. When we have enumerated these four principles, we have told everything that can be known about a saw. But Aristotle could not keep the last three separate; he gradually extended the definition of form until it absorbed, or became identified with, agent and purpose.227 It was what we should call the idea of function that facilitated the transition. If the very essence or nature of a saw implies use, activity, movement, how can we define it without telling its purpose? The toothed blade is only intelligible as a cutting, dividing instrument. Again, how came the saw into being? What shaped the steel into that particular form? We have said that it was the smith. But surely that is too vague. The smith is a man, and may be able to exercise other trades as well. Suppose him to be a musician, did he make the saw in that capacity? No; and here comes in a distinction which plays an immense part in Aristotles metaphysics, whence it has passed into our every-day speech. He does not make the saw qua musician but qua smith. He can, however, in the exercise of his trade as smith make many other toolsknives, axes, and so forth. Nevertheless, had he only learned to make saws it would be enough. Therefore, he does not make335 the saw qua axe-maker, he makes it qua saw-maker. Nor, again, does he make it with his whole mind and body, but only with just those thoughts and movements required to give the steel that particular shape. Now, what are these thoughts but the idea of a saw present in his mind and passing through his eyes and hands, till it fixes itself on the steel? The immaterial form of a saw creates the real saw which we use. Let us apply the preceding analogies to a natural object; for example, a man. What is the Form, the definition of a man? Not a being possessing a certain outward shape, for then a marble statue would be a man, which it is not; nor yet a certain assemblage of organs, for then a corpse would be a man, which, according to Aristotle, criticising Democritus, it is not; but a living, feeling, and reasoning being, the end of whose existence is to fulfil all the functions involved in this definition. So, also, the creative cause of a man is another man, who directly impresses the human form on the material supplied by the female organism. In the same way, every definite individual aggregate becomes what it is through the agency of another individual representing the same type in its perfect manifestation.228
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